Tag Archives: publication

A Quick Update

It’s been a long time since I’ve written an entry in this blog. I’d love to say that I’ve been a busy bee, toiling away at the arduous labour that is the writer’s life, but that’s not exactly accurate. In the past few months, I’ve only managed to produce two additional short stories and most of a third.

What I have been doing:

  • Founding and curating a new reading series in Arlington, VA … it’s coming great and we’ve got quite the season booked for this summer. More details to come.
  • Going to other readings … I’ve had the pleasure of seeing one of my new favourite writers — Marie-Helene Bertino — read from her novel-in-progress along with Elliott Holt, Scott McClanahan, Sara Rose Etter, Matthew Salesses, Laura van den Berg and so so soooo many other great writers. This is the kind of thing I live for.
  • I have a review / recommendation for Ms. Bertino’s debut collection, Safe as Houses, forthcoming at TheLitPub (it’s REAAAALLY good)
  • A short story is forthcoming in Big Lucks — huge thanks to Michael Beeman, Mark Cugini and Chris Molnar for featuring my work!
  • Reading and other schoolwork

So it has been actually fairly busy. There’ve also been this huge debates internally about whether or not to move. For now, I’m staying put.

I have a more personal anecdote to share, but I’ll reserve those thoughts for another time when I can devote more to it.

Happy writing, all.

Carolina Quarterly!

cq62-3cover2I wanted to avoid posting this until I had the issue in my hands, and now I am happy to share that I’ve been published in The Carolina Quarterly’s winter issue! This is the first non-fiction piece I’ve ever written and recounts a tale from my childhood years. The essay is titled “Redshift.” Check it out at the NewPages webstore!

I am deeply grateful to the Carolina Quarterly and Non-Fiction Editor Nick Anderman for accepting my piece. Not only that, but–as you can see–I’m excerpted on the cover. I’m also the excerpt for CQ’s TellItSlant submission page! Humbly honoured.

Acceptance to the Kartika Review!

I’ve another short story accepted for publication, this time to The Kartika Review. Very rarely do I ever write anything that stems from being Asian-American. I’ve actually taken great strides to distance myself from that identity. I want to be known for writing great stories, not for writing great Asian stories. I think Nam Le sums up how I feel on the matter best:

My relationship with Vietnam is complex. For a long time I vowed I wouldn’t fall into writing ethnic stories, immigrant stories, etc. Then I realized that not only was I working against these expectations (market, self, literary, cultural), I was working against my kneejerk resistance to such expectations. How I see it now is no matter what or where I write about, I feel a responsibility to the subject matter. Not so much to get it right as to do it justice. Having personal history with a subject only complicates this — but not always, nor necessarily, in bad ways. I don’t completely understand my relationship to Vietnam as a writer.

Hoan Kiem Lake’s giant turtle

I wrote this story after my girlfriend and I broke up (right around the time this blog was started). I was fairly distraught over the idea of suddenly being alone again and needed to write out my grief, sense of loss, and abrupt solitude. I didn’t want to do a break-up/divorce story (I seem to do those best when I’m not feeling like that). Somehow, the news article I read about a giant turtle from Vietnamese legend being discovered sick came into my mind and provided the backdrop for this story. I found myself writing about Vietnam for the first time in my life, but there was enough distance (and subtle amounts of fantasy) that I could do it without necessarily being very personal about the whole process.

The Kartika Review is a journal with a themed focus on the experience of Asian-American diaspora. Honestly, I could never write about my experience with that diaspora. It almost seems like whining. But I’m proud of what this story – originally very cathartic, raw, and super cheesy – has turned into. I’m happy and extraordinarily grateful to have it face the publicAfter, of course, the editor takes a knife to it. 🙂